PDF Ebook Mabel Dodge Luhan: New Woman, New Worlds, by Lois Palken Rudnick

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Mabel Dodge Luhan: New Woman, New Worlds, by Lois Palken Rudnick

Mabel Dodge Luhan: New Woman, New Worlds, by Lois Palken Rudnick


Mabel Dodge Luhan: New Woman, New Worlds, by Lois Palken Rudnick


PDF Ebook Mabel Dodge Luhan: New Woman, New Worlds, by Lois Palken Rudnick

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Mabel Dodge Luhan: New Woman, New Worlds, by Lois Palken Rudnick

Product details

Hardcover: 400 pages

Publisher: Univ of New Mexico Pr; 1st edition (October 1, 1984)

Language: English

ISBN-10: 0826307639

ISBN-13: 978-0826307637

Package Dimensions:

9.1 x 5.9 x 1.3 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,247,137 in Books (See Top 100 in Books)

As a native New Mexican who sat in the back seat on many road trips to or through Taos, I have always had a curiosity about exactly who Mabel Dodge Luhan was. (The correct spelling of the Spanish surname is Lujan.) Rudnick's biography gives plenty of information--about 100 pages too much for me. There is a scholarly tone to the writing style--and it comes with footnotes and an index. I read the parts that were most interesting to me and looked at all the photographs several times. Now I will share with others by giving it to our friends of the library organization in El Paso.

It's difficult to complain about a book that provides so much information about Mabel Dodge Luhan in one place. For all her nastiness and egoism, Luhan is an important figure historically in American literature. But Rudnick is tugged into the vortex of her mythology, and the result is an unpleasant experience for the reader.Luhan was, first and foremost, a spoiled, self-indulgent rich kid. Educated to a bit more literacy than average, wealthy enough to buy anything she wanted, and sociopathic. She was a home wrecker of the purest sort. She didn't steal women's husbands, she wrecked their marriages. All for their own good, of course. When her whim served, she was lavish but not generous (generosity requires sacrifice, and Luhan never stoops to such a thing). When the whim passed, she was vicious, merciless, and bombastically cruel. Rudnick sees through the goddess to the sow, but finds the sow strangely attractive.The biography is a strange mosaic of fact, error, and blind spots. One trivial point: Rudnick is convinced that Arthur Rochford Manby's name was George, in spite of having apparently read quite a bit about his life and death (not, probably, including the biography by one of her sources, Frank Waters). The fact that Luhan abandoned her children is never set beside her self-image as an "earth mother." Rudnick collaborates in this deception. Mabel's son by her first husband is strangely absent from her life, and a girl she "adopted" (the legalities are not clarified) during her second marriage disappears without an editorial trace after being mentioned once. Rudnick relies on Mabel's "word" for some extremely controversial gossip (notably for me the bizarre claim that Robinson Jeffers was a wife abuser). Rudnick reports MDL's stories about Frieda Lawrence as fact, and apparently bases her own interpretation of Jeffers' work on MDL's breathless fanzine understanding of his work.Rudnick's second biography of Mabel emphasizes that she contracted syphilis from three different husbands. After reading about her attempt to wreck the marriage of Robinson and Una Jeffers, I can't say that was enough.

even with an inclusion of bunch of analysis about other's writing that I don't care about, this is an interesting biography and a cultural history with some sound insights into the people and the times of Mabel Luhan.

Very interesting.

Interesting story of Mabel Dodge Luhan in New Mexico.

life in new mexico

I had read Mabel Dodge Luhan's own books: Edge of Taos Desert and Winter in Taos and enjoyed them immensely, but pieces of Mabel's life were missing and this biography fills in all the essential details. From what I can gather, "Mabel Dodge Luhan: New Woman, New Worlds" is the current published title of Lois Palken Rudnick's doctoral dissertation entitled "The Unexpurgated Self: A Critical Biography of Mabel Dodge Luhan" published at Brown University in 1977. Apparently Rudnick assimilated some very thorough research at Yale University where Mabel's papers are archived. Drawing from Mabel's own four-volume autobiography "Intimate Memories" and numerous other sources such as friends of Mabel who wrote books and correspondence, newspaper articles and such, this study of Mabel's life is about as complete as humanly possible. In fact, for the casual reader such as myself it can be a dull read in many places where Rudnick indulges in academic diversions from the essential narrative of Mabel's life. There are literary critiques of books written by Mabel's friends who used her as a symbol or type in their own works. These works are then summarized and integrated into the fabric of the book as a way of bringing new perspectives on Mabel's character. Small separate chapters on these tangential characters can be skipped or skimmed over without missing out on the basic narrative. For example there are sections about Leo and Gertrude Stein in Paris, the painter Jacque-Emile Blanche, the writers, Carl Van Vechten and Max Eastman and of course D. H. Lawrence who came to Taos at the behest of MDL. There are also chapters on poets Witter (Hal) Bynner and Robinson Jeffers and the novelist Myron Brinig. All of these people were important in MDL's life but a more readable and enjoyable biography might benefit from more judicious editing unencumbered by the demands of an academic dissertation. What is revealed of Mabel herself? She was a person profoundly affected by her dysfunctional family where she received little love and affection as a child. Fortunately for her, the family's considerable fortune amassed by her two banker grandfathers supported her for the duration of her life, freeing her to live a life of leisure and adventure. In her intense search for love and identity, she had many lovers and four husbands. There is a blurry lack of personal boundaries in her life. She underwent years of psychoanalysis, and eventually found more focus as she devoted herself to writing. She was a magnetic personality with a very strong will and she drew many people to her. She was a very intelligent and curious person who lived life to the fullest, yet with the emotional ups and downs that might be described as bi-polar or manic-depressive. What I find interesting is that she approached life from a rather 21st Century style 100 years ahead of her time with a wholistic, Jungian understanding of the whole body experience. Feelings are given equal importance to thoughts. Smells are important to her as she always surrounds herself with refreshing and inspiring smells. Music, dance, art and literature are central to her life. In Florence she associated with the great American art historian Bernard Berenson and the great English art critic John Ruskin. She developed a keen appreciation of art and spent eight years decorating her Florentine villa with her second husband Edwin Dodge. From that time and throughout her long life, MDL entertained many guests from all walks of life. She personally knew and hosted at her house people such as the great actress Eleanor Duse, the writer Gertrude Stein, the dancer Isadora Duncan and many, many more. During her years in New York City she had an intense affair with the intellectual, poetic, communist radical, John Reed who later died in the Soviet Union soon after the revolution. (He was the subject of the movie "Red" starring Warren Beatty). MDL supported many radical causes during her time in NYC. Shortly after her third marriage, to artist Maurice Sterne, she then moved to Taos where she remained for the duration of her life, with many trips to New York and California interspersed throughout. Of course the great love of her life became Tony Luhan from the Taos Pueblo. Their relationship lasted over forty years. All together, this is a fascinating woman and a good read.

Ah Mabel! I have been to your house in Taos, slept in your bed, and bathed in that wonderful bathroom where you painted the window panes with flowers. Lois Rudnick reveals your life brilliantly. Here is a book alive with heartache and joy, some meaness, and much searching and discovery. Mable Dodge Lujan--an amazing life; a complex and talented woman who, indeed, was a "mover and shaker". "Her desire for self-importance attracted her to some of the most stimulating and creative talents in America." Lois Rudnick details a wonderful biography of who, what, when, and where. Thank you, Lois. You made Mable's house come to life and her life fill the house.

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