Ebook Free Brodsky & Utkin

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Brodsky & Utkin

Brodsky & Utkin


Brodsky & Utkin


Ebook Free Brodsky & Utkin

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Brodsky & Utkin

Review

"Between 1978 and 1993, Soviet architects Alexander Brodsky and Ilya Utkin created a series of beautifully complex drawings of buildings they never expected would be built. In a new edition of a book collecting their work, Brodsky & Utkin, the range of their "paper architecture" is on display." - Slate"Though times have certainly changed in Russia and beyond, Brodsky and Utkin's paper architecture is still poignant and pertinent: a timeless meditation on what it means to live in a city, whether that city is Moscow or Manhattan." - Forbes.com"This 80-page collection of their work is proof that creativity always thrives, even under difficult conditions." - Selectism"The studio's greatest strength - as this book shows - is that its work surprises and delights but always with clarity and focus." - Surface"Open this stylishly designed album and you will be immediately drawn into the world of poetic utopia. A claustrophobic endless labyrinth of the Intelligent Market. A Glass Tower, a vertical city striving to reach unto heaven. A Crystal Palace imag- ined as a beautiful but unrealizable dream. Going from one drawing to the next, you will discover new architec- tural dimensions as dreams, theater, storytelling, fables, memories... Now that our profession is obsessed with efficiency and pragmatism, this book reminds us why we wished to become architects in the first place." - Arquitectura Viva"Looking at the images today, there is resonance with the enduring alienation of huge cities, and the desire for some presence in the fray." - Hyperallergic"Highlighting the work of arguably one of the country's leading young architectural practices, MOS: Selected Works offers valuable insight into the pair's life and philosophy, not only as architecture professionals, but also as state-of-the-art designers and thinkers." - Wallpaper*

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Product details

Hardcover: 88 pages

Publisher: Princeton Architectural Press; Revised ed. edition (September 1, 2015)

Language: English

ISBN-10: 1616893168

ISBN-13: 978-1616893163

Product Dimensions:

9.2 x 0.5 x 12.2 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#1,051,655 in Books (See Top 100 in Books)

First there was Francesco Colonna's Hypnerotomachia Poliphili, a novel about death and architecture written in the Renaissance, wherein distraught Poliphilus searches for his dead beloved among the ruins of Antiquity (the novel is splendidly illustrated and was printed in 1499 by Aldus Manitus), and there was another Italian, Gianbattista Piranesi, who in the late 18th century etched his strange portrayals of the ruins of old Rome to almost universal acclaim. After Colonna, Piranesi partook in the French Enlightenment's love for "paper architecture": projects that were drawn and detailed by famed architects of that time that did not get to be built either because they were extravagantly costly or imposible to build with the materials and building techniques then at hand. But, like Colonna's delight in drawing ruins, Piranesi's etchings of his "Carceri d'Invenzione" (Prisons of the Imagination, also available here at Amazon.com) went beyond of the extravagance of "paper architecture" to make a huge impact on European romantic imagination that doubtless fed the first "Gothic" novels and poems of writers like Anne Radcliffe and the Bronte sisters, and some darker people like Charles Maturin and Mathew Lewis and, eventually, Wilkie Collins. The "paper architecture" devised by contemporary Russian architects Brodsky and Utkin in many ways restate Piranesi's "paper [Roman] ruins". In their book, Brodsky and Utkin go back to imaginative architectural drawing to comment heavily on the political restrictions in mid-20th-century architecture of the Soviet Union and make etchings simulating 18th-century drawings and etchings that exaggerate the irrational State political demands on soviet architects, all of which is presented as delusional wanderings of extravagant architects of that time. A mixture of black architectural humor and political criticism, the plates of this book speak by themselves without a written statement by the authors. Of course, the titles and descriptions on each plate —which usually contain text etched on the plate itself— are as strange and evocative as the images, and are mostly quotations from famed Russian writers. A beautiful architectural nightmare not to be missed!

this version comes with 30 plates while the 2003 edition has 70. I have treasured my 2003 edition for years and this new edition does not do justice.

Weird. Quirky. Great for that weird, quirky person in your life.

Fascinating artwork. I was drawn to this after seeing a few originals at the London Tate earlier this year. The book is not large enough to do justice to the intricate details of the prints. The print quality is decent but not great. Good for the price.

The size of the book is perfect for showing the beautifully rendered projects and illustrations done by this little known duo ( at least in South America ).Quality wise the book is very well crafted, reminiscent of some of Piranesi and Boulleé compilations i've seen on my school library. The only thing that detracted this print from a 5 star score is that there's not much text in it, although the one written contextualizes very well the period and the tone of Brodsky & Utkin work. Definitely a must have on any collection that aspires for a wider catalog on ''paper'' and speculative/ fictional architecture.

Amazing illustrations

Beautiful! Would be nice if the reproductions were bigger.

The paper in this edition does not help to highlight the fine lines and drawing in Brodsky & Utkin prints.

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